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Bridge School 2008 announcement

Neil Young

How much longer can Neil Young and his crew make us wait to get the lineup for the 2008 Bridge School Benefit? The concerts are basically only a month away. I’d say that the announcement of the featured artists comes soon. Real soon. Like, I’m saying we will get it today. (Please note: I’ve been wrong before.)

While we wait, here are some videos of memorable performances from past Bridge concerts:


Read the rest of this entry »

Posted on Monday, September 22nd, 2008
Under: Bridge School, Dave Matthews Band, Eddie Vedder, Green Day, Neil Young, Pearl Jam, Shoreline Amphitheatre, Tom Waits | 2 Comments »

Kimya Dawson brings `Juno’ to the Bay Area

Kimya Dawson

Call it the season of soundtracks by the Bay.

It kicked off earlier this month when Pearl Jam’s Eddie Vedder performed a trio of local shows, which drew heavily from his Golden Globe Award-winning score for the movie “Into the Wild.” Fans also got to see Glen Hansard and Marketa Irglova _ the duo responsible for “Falling Slowly,” the track from the film “Once” that won the Oscar for Best Original Song _ on Saturday (April 26) at the Paramount in Oakland. And then there was Kimya Dawson, the main voice of the “Juno” soundtrack, who visited the Herbst Theatre in San Francisco on Friday night (April 25).

Of those three acts, Dawson has definitely made the biggest splash with her cinematic offering. The “Juno” record, featuring eight Dawson performed/penned tracks, is one of the most successful soundtracks in years. It hit No. 1 on the Billboard album charts back in January, becoming the first soundtrack from an Academy Award best picture nominee to reach the peak since “Titanic” in 1998.

The overwhelming and immediate success of the “Juno” soundtrack has transformed Dawson, previously a little-known indie-folk cult figure, into a star. Her fan base has multiplied at least a hundredfold and she’s moved up from playing small clubs to filling major theaters.

This kind of overnight success, even when it happens to someone who, like Dawson, has been performing regularly since 2002, can be a little hard to handle. The 35-year-old singer-songwriter-guitarist was still trying to get a grasp on her situation when she played for the packed house at the Herbst.

“I’m sorry,” she apologized to the crowd, while trying to calm her nerves. “It’s just that I’ve never played a show in the Bay Area that cost more than $5. And this all feels like some type of twisted joke.”

The concert’s punch line, however, was that Dawson proved worthy of all this success. She came across as a strikingly original artist, blessed with a charmingly disarming voice, and displayed a songwriting approach that was deeply deceptive in its simplicity.

The latter is a direct result of two things _ her minimalist approach on guitar, which is most often little more than rhythmic strumming of a few chords, and a penchant for lyrics that seem to mimic nursery rhymes. That combo has led some listeners, who aren’t really listening, to believe they could write songs that are as good as Dawson’s.

Yet, very few songwriters have been able to mix curious, telling observations and heartfelt messages with tiny jokes and catchy choruses like Dawson has done during both her own solo career and, previously, as a member of the duo, the Moldy Peaches.

In San Francisco, she mined her back catalog for such diversely appealing winners as the politically conscious “12/26” and the sweet fairytale “I Like Giants,” although the crowd, as expected, reacted most strongly to the “Juno” material. She didn’t play all the songs from the soundtrack _ the most notable omission was the Moldy Peaches tune “Anyone Else But You,” which is the number that actors Ellen Page and Michael Cera sing in the film’s last scene. Still, what she did sing was enough to make us realize that Kimya Dawson will be around long after the “Juno” craze has past.

Posted on Sunday, April 27th, 2008
Under: Eddie Vedder, Glen Hansard, Herbst, Juno, Kimya Dawson, Marketa Irglova, Moldy Peaches, Paramount, Pearl Jam | No Comments »

Eddie Vedder delivers a Pearl of a solo show in Berkeley

Eddie Vedder

Eddie Vedder is best known for his intense performances fronting Pearl Jam. Yet, on his first-ever solo tour, the poster boy for moody alternative rock is showing a drastically different side to his personality.

On Monday (April 7), during the first half of a two-night stand at Berkeley’s Zellerbach Auditorium, the 43-year-old singer was charming, personable and _ no joke _ downright funny. In one instance, he even showed the type of comedic timing that a professional funnyman would admire.

“I like to keep my personal politics private,” he said, barely keeping a straight face.

At that moment, two stagehands carrying a gigantic Barack Obama sign paraded across the stage. That bit went over extremely well with the Berkeley crowd (go figure) and was a pleasant change of pace for a man often criticized for preaching heavy-handed messages.

It was the rare chance to see the superstar perform in this kind of intimate and informal setting that made Monday’s gig such a treat for fans. What he actually played _ mainly a mix of relative obscurities from his songbook, selections off of the acclaimed “Into the Wild” soundtrack and an assortment of covers _ wasn’t nearly as important as how he played it.

Vedder took the stage around 9 p.m., opening the show with a nice cover of Daniel Johnston’s “Walking the Cow,” and for the next two hours he acted as if he was just playing whatever came to mind in front of a small gathering of friends in his living room. Alone beneath the bright lights, he simply sat on a stool and belted out such songs as “Around the Bend,” “I am Mine” and “Dead Man Walking.”

He performed on a variety of electric and acoustic instruments, including guitar, banjo and ukulele, and he proved more than competent on each set of strings. Vedder’s guitar work, in particular, matches his forceful vocal approach _ it’s powerfully rhythmic and emphatic to the extreme. His strumming arm fires like a piston, whether or not that that technique actually serves the song. Indeed, Vedder seems be trying to compensate for his missing Pearl Jam buddies with each stroke across the strings.

Making music, however, is only half of what’s expected during these stripped-down, semi-acoustic solo shows. The other part is the between-songs banter, during which the stars use the intimate occasions to tell jokes and stories. Vedder started out slow in this regard, seeming a little bit uncomfortable in the setting, but warmed up to the role as the night progressed.

Besides the rehearsed Obama bit, Vedder also drew big laughs with the story that followed the “Into the Wild” track “Guaranteed.” Many expected that the Golden Globe-winning tune would be a surefire bet come this year’s Academy Awards. Yet, voters thought otherwise. Thus, Vedder pointed out, “Guaranteed” did not get to join the illustrious musical company of such past-Oscar nominees as “Ghost Busters.”

“That song I just played you is not as good as `Ghost Busters,’” Vedder smirked. “But I’m going to keep trying.”

As the main set drew to a close, Vedder began piling on the cover songs and delivered thrilling versions of the Beatles’ “You’ve Got to Hide Your Love Away,” Bob Dylan’s “Forever Young” and a pair of Cat Stevens’ numbers, “Trouble” and “If You Want to Sing Out, Sing Out.” He closed the main set with the Pearl Jam favorite “Porch” and then returned to perform six songs during two highly enjoyable encore segments.

This solo tour is just a temporary gig for Vedder _ he’ll reunite with Pearl Jam for a batch of shows later in the year. Yet, his showing in Berkeley was impressive enough to make one hope that he’ll make this routine part of his regular arsenal.

Set list:
1, Walking the Cow
2, Around the Bend
3, I am Mine
4, Dead Man Walking
5, I’m Open
6, Man of the Hour
7, Setting Forth
8, Guaranteed
9, No Ceiling
10, Far Behind
11, Rise
12, Millworker
13, Goodbye
14, Satellite
15, Drifting
16, You’ve Got to Hide Your Love Away
17, Here’s to the State
18, Trouble
19, If You Want to Sing Out, Sing Out
20, Parting Ways
21, Forever Young
22, Porch
ENCORE
23, Society
24, Growin’ Up
25, Lukin
26, No More
27, Arc
ENCORE 2
28, Hard Sun

Posted on Tuesday, April 8th, 2008
Under: Eddie Vedder, Pearl Jam, Zellerbach | 6 Comments »

Eddie Vedder setlist Berkeley

SET LIST: Eddie Vedder: Zellerbach Auditorium-Berkeley, CA. April 07, 2008. Show 1

WALK ON MUSIC: TUOLUMNE
01. WALKING THE COW-(Daniel Johnston)
02. AROUND THE BEND
03. I AM MINE
04. DEAD MAN WALKING
05. I’M OPEN
06. MAN OF THE HOUR
07. SETTING FORTH
08. GUARANTEED
09. NO CEILING
10. FAR BEHIND
11. RISE
12. MILLWORKER-(James Taylor)
13. GOODBYE
14. SATTELITE
15. DRIFTING
16. YOU’VE GOT TO HIDE YOUR LOVE AWAY-(Lennon, McCartney)
while telling a story about Fugazi Ed quotes a couple lines from a band
called “Yeastie Girls”.
17. HERE’S TO THE STATE…(PHIL OCHS)
18. TROUBLE-(Cat Stevens)
19. IF YOU WANT TO SING OUT, SING OUT-(Cat Stevens)
20. PARTING WAYS
21. FOREVER YOUNG-(Bob Dylan)
22.PORCH
ENCORE BREAK 1
23. SOCIETY with Jerry Hannan-(Jerry Hannan)
24. GROWIN’ UP-(Bruce Springsteen)
25. LUKIN
26. NO MORE
27. ARC
ENCORE BREAK 2
28. HARD SUN with Liam Finn, EJ and Jerry Hannan-(Gordon Peterson)

Posted on Tuesday, April 8th, 2008
Under: Eddie Vedder, Pearl Jam, Zellerbach | 7 Comments »

Eddie Vedder setlist

Eddie Vedder

(While I was at Broooce in San Jose, my buddy Shay Quillen of the Mercury News was at Eddie Vedder in Santa Cruz. Here’s the set list that he posted on his blog. You can read the full review by clicking here.)

Set list from April 5 Santa Cruz show:

Walking the Cow / Around the Bend / I Am Mine / Dead Man Walking / I’m Open / Man of the Hour / Setting Forth / Far Behind / Rise / No Ceiling / Guaranteed / Millworker (James Taylor cover) / Broken Hearted / Goodbye / You’re True / I Used to Work in Chicago / Drifting / You’ve Got to Hide Your Love Away (Beatles, of course) / Trouble (Cat Stevens) / Forever Young (Bob Dylan) / Porch // Happy Birthday (dedicated to Mike McCready) / Society / Lukin / No More / Vocal loop experiment // Pullin’ Into Santa Cruz / Hard Sun

Posted on Sunday, April 6th, 2008
Under: Eddie Vedder, Pearl Jam, Santa Cruz Civic, Zellerbach | No Comments »

Eddie Vedder adds second Berkeley gig

FOR IMMEDIATE RELEASE:

SECOND SHOW ADDED ON SALE NOW!

EDDIE VEDDER
with Liam Finn
‘April Fools Tour’
Tuesday, April 8, Doors 6:30PM/ Show 7:30PM
Zellerbach Auditorium, Berkeley
Tickets are $65.50 for reserved seating plus applicable service charges…all ages.
Four-ticket limit per person.
Promo/PR: eriksiebert@livenation.com

Tickets for all shows are available at LiveNation.com.

TICKETMASTER centers include Wherehouse Music, select FYE stores, select Savemart stores and all Ritmo Latino locations and all charge by phone numbers:
(415) 421-TIXS, (510) 625-TIXS, (408) 998-TIXS, (925) 685-TIXS, (707) 528-TIXS, (916) 649-TIXS, (530) 528-TIXS, (209) 485-TIXS, (559) 485-TIXS, (775) 787-TIXS & TTD (415) 957-0105.

Posted on Friday, February 22nd, 2008
Under: Eddie Vedder, Liam Finn, Pearl Jam, Zellerbach | No Comments »

Pearl Jam’s Eddie Vedder to play Berkeley, Santa Cruz

Eddie Vedder

(News that will delight Pearl Jam fans. Press release below:)

EDDIE VEDDER APRIL FOOLS TOUR

TOUR KICKS OFF APRIL 2 IN VANCOUVER, BC
AND ENDS APRIL 15 IN SAN DIEGO

TICKETS ON SALE FRIDAY, FEBRUARY 22 AT 10AM PST

SEATTLE — Eddie Vedder will embark on a small, West Coast, solo tour beginning April 2nd in Vancouver, BC and ending April 15th in San Diego (full list of tour dates below).

Tickets for the general public will go on sale on Friday, February 22nd at 10am* PST through www.ticketmaster.com and all Ticketmaster outlets. (*Note: Santa Barbara goes on sale Friday, February 29th at 10am PST).

The base ticket price for all shows is $65 plus additional venue, service and handling fees. There is a four-ticket limit for the public on sale.

A special, limited ticket pre-sale for current active members of Pearl Jam’s Ten Club will begin at 10am PST on Monday, February 18, 2008 at www.pearljam.com. There is two-ticket limit for the Ten Club pre-sale.

Five special prime-seat ticket packages per show will be auctioned off online along with an autographed limited-edition tour poster. An additional auction package for the Santa Barbara concert - consisting of two pair of premier seats and two hotel rooms will also be auctioned off. These auctions will begin on Friday, February 22nd at 10am PST in conjunction with the public on sale. (More details regarding the auctions to be announced next week). Proceeds from auction packages will support legal defense efforts for the West Memphis Three via the Damien Echols Legal Defense Fund. Damien Echols, Jason Baldwin and Jesse Miskelley (the WM3) have been in prison for 12 years for a crime they didn’t commit. After years of waiting for the chance to demonstrate their innocence, the West Memphis Three will finally have hearings this Spring to introduce new DNA evidence proving they could not have committed the crimes for which they were convicted. More info at: www.wm3.org.

New Zealand singer-songwriter Liam Finn will open these shows.

Eddie Vedder April Fools Tour Dates:

Date City Venue Ticket Price *with venue fees
4/2 Vancouver The Centre $66.50 (Canadian)
4/5 Santa Cruz Civic Auditorium $65.50
4/7 Berkeley Zellerbach Theatre $65.50
4/10 Santa Barbara Arlington Theatre $68.00
4/12 Los Angeles Wiltern Theater $68.50
4/13 Los Angeles Wiltern Theater $68.50
4/15 San Diego Spreckels Theater $67.75

Posted on Saturday, February 16th, 2008
Under: Eddie Vedder, Pearl Jam, Santa Cruz Civic, Zellerbach | No Comments »

Grammy’s 50 biggest moments

Grammy

There’s only one sure bet for this year’s Grammy Awards:

It’s going to be more fun to watch than the Golden Globes.

The union for striking Hollywood writers, which forced the cancellation of the Golden Globes gala, has decided to spare the Grammys from the picket lines. Thus, the show will be shown at 8 p.m. Sunday (Feb. 10th) on CBS, broadcast from Staples Center in Los Angeles.

That’s good news, since it would have been a shame to cancel the 50th annual Grammy Awards. In honor of the milestone anniversary, we’ve decided to look back at 50 big moments in Grammy history. We’ve collected up the milestone victories and the most memorable performances, as well as the Grammy goofs (like Milli Vanilli’s victory as Best New Artist in 1990) and other lowlights. All of these moments, both good and bad, have combined to define what’s become music’s biggest night.

Please note that these memories are listed chronologically, as opposed to using a ranking system. Also, we’re sure that we’ve forgotten a few of the top moments _ 50 years, after all, is a lot of ground to cover _ so please help us out. Please post your top Grammy memories below.

1, Just for laughs
Music takes a back seat as comedian Bob Newhart wins Best New Artist and Album of the Year (for “The Button-Down Mind of Bob Newhart’’) in 1961. It was not the only time that a comedic offering would score Album of the Year _ Phil Collins’ “No Jacket Required’’ would also win in 1986.

2, Celebrating a life
The very first Lifetime Achievement Grammy was given out in 1962 to a well-deserving Bing Crosby. By the time the trophy was given out again, in 1965 to Frank Sinatra, it was officially known as the Bing Crosby Lifetime Achievement Grammy Award.

3, Vaudeville act
Grammy voters get it wrong at least as often as they get it right. In hindsight, one of the earliest major flubs was when they picked the New Vaudeville Band’s novelty hit “Winchester Cathedral’’ for Best Contemporary R&B recording in 1966. What else was nominated? Only five of the best songs in pop-music history _ the Beach Boys’ “Good Vibrations,’’ the Association’s “Cherish,’’ the Mamas and the Papa’s “Monday Monday,’’ the Monkees’ “Last Train to Clarksville’’ and the Beatles’ “Eleanor Rigby.’’

4, Beatlemania
A rock platter finally wins for Album of the Year in 1968. Grammy voters were late in catching up with the times (a trend that continues to this day), but they certainly picked a good one to start with _ the Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band.’’

5, A true Wonder
Stevie Wonder owned the ‘70s like no other, at least according to Grammy voters. He won the most coveted of all trophies, Album of the Year, for three consecutive releases _ “Innervisions’’ (1974), “Fulfillingness’ First Finale’’ (1975) and “Songs in the Key of Life’’ (1977). It was such a Grammy dynasty that when Paul Simon picked up the award in 1976, for “Still Crazy After All These Years,’’ he thanked Wonder for not releasing a record that year.

6, It’s a tie
For the only time in Grammy history, the Song of the Year category ends in a tie and two trophies are given out in 1978, to Barbra Streisand’s “Evergreen’’ and Debby Boone’s “You Light Up My Life.’’ And, really, who could pick between those two?

7, Taste of success
In 1979, A Taste of Honey passed the Cars and Elvis Costello to win Best New Artist. A Taste of Honey, of course, is still known today for the single “Boogie Oogie Oogie,’’ while the Cars and Costello haven’t been heard of since.

Barbra Streisand

8, Bringing the `Flowers’
Neil Diamond and Barbra Streisand had each recorded separate versions of “You Don’t Bring Me Flowers,’’ before (legend has it) a DJ had the bright idea to mash the two renditions into a single duet. The first time the dynamic duo would sing the song live together was at the Grammys in 1980.

9, One big night
In 1981, Christopher Cross became the first (and still only) artist to win the so-called “Big Four’’ (Record, Album and Song of the year, as well as Best New Artist) in one single year. He also took home the Oscar that year for Best Original Song (“Arthur’s Theme’’).

10, Eight hands
In 1983, Ray Charles, Jerry Lee Lewis, Little Richard and (get this) Count Basie sit down at four pianos and deliver what is arguably the most legendary of all Grammy performances.

11, Toto rules
In 1983, Toto triumphed over Paul McCartney, Stevie Wonder, Joe Jackson and Willie Nelson _ all, obviously, lesser talents in Grammy voters’ eyes _ to win Record of the Year for “Rosanna.’’ It was one of six awards Toto would win that night.

12, Marvin, Marvin
Marvin Gaye’s comeback was capped off when he won his first-ever Grammys for the song “Sexual Healing’’ in 1983. He sang a knock-out version of that hit at the award show. Sadly, it would be one of his final performances _ he was murdered on April 1, 1984.

13, Rhymin’ Simon
Paul Simon caps off a big Grammy night in 1987_ which included winning the biggie, Album of the Year, for “Graceland’’ _ with a great rendition of “Diamonds on the Soles of Her Shoes.’’ The disc (recorded mainly in South Africa), as well as the Grammy performance, helps shine a light on the issue of apartheid.

14, Thick as a Brick
The inaugural Grammy for Best Hard Rock/Metal Performance was given out in 1989 and, to the shock of head-bangers everywhere, it went to Jethro Tull. That band, best known for its flute work, beat out the heavily favored Metallica. Fans booed and the Grammy folks wisely split Hard Rock and Metal into two categories for 1990.

15, Public embarrassment
Grammy organizers obviously didn’t do much homework when they added the inaugural rap category in 1989. The first award was presented to DJ Jazzy Jeff and the Fresh Prince for the family-friendly “Parents Just Don’t Understand.’’ That victory quickly became a joke in the hip-hop community, which was clearly rooting for Public Enemy’s ground-breaking “It Takes a Nation of Millions to Hold Us Back.’’

16, Grammy whammy
Milli Vanilli beat out the Indigo Girls and three other hopefuls (all of whom have since faded away) to snag Best New Artist in 1990. The award was later revoked after it was discovered that the band’s so-called vocalists did not actually sing on their tracks.

17, Not quite Nirvana
In the early ‘90s, something was brewing in the Pacific Northwest _ a little something called grunge _ and Grammy voters chose to ignore its presence. Eligible for consideration for Album of the Year in 1992 were Nirvana’s “Nevermind’’ and Pearl Jam’s “Ten’’ _ two of the best discs of the decade _ and neither received a nomination. In their place were offerings by Amy Grant and Natalie Cole.

Nat King Cole

18, Unforgettable?
Nearly 30 years after his death, the great Nat King Cole would garner Grammy gold in 1992. Thanks to the miracles of modern recording sciences, his posthumous duet with daughter Natalie on “Unforgettable’’ nabbed three trophies, including for song and record of the year. The Coles would also perform the song “live’’ at the show.

19, Nice tip
The best slam _ out of many _ against the Grammys came in the fifth season of the “The Simpsons’’(aired in 1993), when Homer’s Barbershop Quartet won a trophy for “Outstanding Soul, Spoken Word, or Barbershop Album of the Year.’’ He would later use the award as a tip for room service.

20, People Get Ready
The great Curtis Mayfield gets his due during an all-star tribute in 1994. The medley of Mayfield hits features Bruce Springsteen, Bonnie Raitt, Steve Winwood and, best of all, B.B. King.

21, We once loved you
These days, we turn the song off as soon it comes on the radio and laugh with the comedians that tell jokes at the singer’s expense. Yet, there was a time when Whitney Houston and “I Will Always Love You’’ were all the rage. The time capsule proof comes from her amazing performance of that tune at the 1994 Grammys.

22, From the `Streets’
Bruce Springsteen delivered his most memorable Grammy moment when he sang a chilling version of “Streets of Philadelphia’’ in 1995. The track (featured in the Jonathan Demme film, “Philadelphia’’) would go on to win four Grammys, including for Song of the Year, as well as the Oscar for Best Original Song.

23, Bad `Voodoo’
Despite earning Lifetime Achievement recognition in 1986, the Rolling Stones wouldn’t win an actual trophy until 1995, when it would pick up two trophies for “Voodoo Lounge.’’ Talk about belated recognition _ didn’t voters listen to the “Exile on Main St.’’ or “Let It Bleed’’ records?

24, Grammy king
Sir Georg Solti, the conductor of the Chicago Symphony Orchestra, has been nominated for more than 100 Grammys and he’s won a record 38. In 1996, he was rewarded with a Lifetime Achievement Grammy.